More Salt Please

Filippa Edghill, Sean Leonard, Nat McComas, Bri O’Connell, Cassandra Scott-Finn and Sam Steinhauer.

August 22 – September 12, 2026

More Salt Please

Cassandra Scott-Finn

Dissolve  2026 (from the Dissolve series),

Hand-developed 16mm film transferred to 4K single-channel digital video, sound,

2 min 8 sec.

 

"What appears to dissolve may simply be returning."

Dissolve is a hand-developed 16mm film centred on Scott-Finn’s kinetic sculptures, conceived as instruments for open-eye meditation. Through movement, reflection, light, and wind, the work explores perception as something continually shifting rather than fixed.

Constructed from mirrored stainless steel, quartz, marble, and recycled plastic offcuts, the sculptures bring together natural, industrial, and reclaimed materials. Their reflective surfaces continually remake their surroundings, eroding boundaries between viewer, object, and environment.

Shot and developed entirely by hand, the analogue process embraces chance, materiality, and the unknown. The slow, tactile nature of the medium becomes integral to the work, inviting sustained attention and an openness to uncertainty.

Created on Bundjalung Country.

Special thanks: Levi Strauss Cranston, Sierra Carole, Friends Lab

More Salt Please

Cassandra Scott-Finn

Dissolve 03  2025 – 2026 (from the Dissolve series),

Marine-grade mirrored stainless steel, marble, quartz crystal, stone and cushion,

dimensions variable.

 

"What appears to dissolve may simply be returning.

The Dissolve series comprises contemplative kinetic mobile sculptures animated by wind and light, exploring reflection, perception, and the shifting relationship between self and the living world."

Cassandra Scott-Finn

More Salt Please

Nat McComas

Untitled Galaxy #11 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

52 x 40cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

More Salt Please

Nat McComas

Untitled Galaxy #10  (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

52 x 40cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

More Salt Please

Nat McComas

Untitled Galaxy #7 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

52 x 40cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

More Salt Please

Nat McComas

Untitled Galaxy #6 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

94 x 67cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

More Salt Please

Nat McComas

Untitled Galaxy #4 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

94 x 67cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

 

More Salt Please

Nat McComas

Untitled Galaxy #3 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

52 x 40cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

 

 

More Salt Please

Nat McComas

Untitled Galaxy #1 (Midday Galaxies series)  2025,

Type C Print (Silver Halide Chromagentic Print Kodak Ultra N / Matte Obselete Stock) from 35mm film (hand printed from original negative using traditional darkroom processes),

73 x 110cm.

 

Inspired by a quote encouraging you to look for "glimmers" in everyday life, Midday Galaxies emerged from a quiet meditation on the ephemeral, luminous patterns formed by sunlight as it reflects and refracts across the ocean. These almost cosmic moments were captured using a Nikonos ii — a 35mm film, all-manual underwater camera that is fully mechanical (no batteries), made by Nikon between 1968–1975.

 

Sean Leonard

Good Luck and Bad Aren’t Always Easy to Distinguish  2026,

acrylic, pastel and aerosol on canvas,
61 x 51cm.

More Salt Please

Sean Leonard

Daydream  2026,

acrylic, pastel and ink on canvas,
76 x 61cm.

More Salt Please

Sean Leonard

They Rolled Like Tiny Suns  2026,

acrylic pastel and aerosol on canvas,
61 x 51cm.

OPENING: 5:00 –7:00pm FRIDAY 21 AUGUST

Presented in collaboration with Ingrid Wilson from IMMI Contemporary, More Salt Please gathers work shaped, directly and indirectly, by life near the water.

Across photography, painting, moving image and sculpture, More Salt Please features works by Filippa Edghill, Sean Leonard, Nat McComas, Bri O’Connell, Cassandra Scott-Finn and Sam Steinhauer.

Originally developed to sit alongside the Byron Bay Surf Festival, the exhibition has drifted into a broader consideration of coastal life and the ways the ocean settles into everyday experience: in reflection, movement, memory, ritual, and the fine layer of salt left on everything.

 

BIOS

Nat McComas grew up on the east coast of NSW, spending high school lunch breaks in the darkroom, captivated by the magic of developing black-and-white film and prints by hand. That early fascination became the foundation of a career spanning more than two decades, during which Nat has freelanced to national and international clients and publications as a lifestyle, commercial, and documentary photographer.

Now based on Bundjalung Country in Northern NSW, Nat draws creative inspiration from the stunning region that surrounds her and holds a deep appreciation for the rhythms of nature and the simple pleasures of life. In her personal practice, McComas works exclusively with film and traditional darkroom printing — producing limited edition works that embrace the materiality, impermanence, and sensory depth that only an analogue process can yield.

"Her personal practice has returned her to the medium where it all began – working with film and traditional darkroom processes to create limited edition prints of quiet luminosity and irreducible physicality."     @natmccomas

Cassandra Scott-Finn is an award-winning multidisciplinary artist based on Bundjalung Country (Byron Bay, Australia). Working across photography, sculpture, performance, installation, and analogue moving image, she explores biophilia, ecosexuality, climate consciousness, and the interdependence between people and place. 

Highly Commended in Sculpture at Scenic World and a finalist in the Bowness Photographic Prize, National Photographic Portrait Prize, Olive Cotton Award, and Galah Regional Photography Prize, Scott-Finn has been commissioned by the Museum of Old and New Art (MONA), with works held in public and private collections.

Influenced by ecological thought, contemplative practice, and the ecosexual movement, her work explores the relationships between body, landscape, perception, and belonging, inviting audiences to slow down and reconnect with the living world. “My practice is a conversation with the natural world ~ a sustained inquiry into its intricate connections that inform my material and conceptual language.@soft_urge__